Metallic Epoxy Flooring in Roselle, IL

Hand-poured metallic epoxy for the one room in a Roselle house or business that can afford to be bold: an entry hall, a home bar, an office or a small studio, where a small floor carries a big finish and is seen all at once from the door.
Small room with a glossy black and white marbled metallic epoxy floor

A bold floor for a room that does not have much of it

Metallic epoxy is a poured resin floor in which the color and the movement are made inside the coat itself. A tinted base goes down, a metallic pigment is worked through the wet coat by hand so it drifts, pools and separates, and a clear topcoat locks the effect under a hard wearing layer. The result is one seamless surface with visible depth in it that shifts as you cross the room, and no two are alike because none of them is made in a factory.

In a small room that floor does something it cannot do anywhere else. A big open floor has to be quiet or it overwhelms the space; a small one can be as bold as you like, because you see all of it at once and there is not enough of it to tire of. An entry hall, a home bar, a study or a single-room studio is where the strongest color and the most movement belong, and where a floor that would be too much across a whole lower level becomes the best thing in the house.

We quote the job from what we see at the visit. Metallic floors we have poured, including the boldest ones, are on the gallery.

Glossy metallic epoxy floor in a small room reflecting the stairs and doorways
Home with a metallic epoxy floor in one room

Entry halls, home bars, offices and rooms with one purpose

The entry hall is the room this floor was made for. It is the first floor anyone stands on, it is small enough that a strong pour reads as a decision rather than a risk, and it takes wet shoes, salt and grit all winter, which the sealed topcoat handles with a mat and a mop. A dark metallic in a hall with a light stair beside it is one of the best-looking floors we pour.

A home bar, a den or a media room is the second. The room is used in the evening, lit low and furnished to be sat in, and a floor with depth and movement under that lighting does more for the room than anything on the walls. The same is true of a study or a home office, where the floor is seen every day from a desk chair and a quiet, dark pour reads as considered rather than loud.

Small commercial rooms are the third. A single-chair barber's, a tattoo studio, a boutique fitting room, the reception of a trade unit or the office off a workshop floor are all rooms where the floor is the largest thing in the customer's eyeline and where a bold pour across a small area makes the room without a single fixture.

Owning a floor you can see the whole of from the door

The wearing layer is a clear topcoat, and everything that happens to the floor happens to that. Shoes, chair legs, a dropped glass, the dog and the nightly clean all land on a hard sealed surface rather than on the metallic coat beneath it, so the depth in the floor stays as it was poured. In a small room the traffic is concentrated through one path, and the topcoat is what takes it.

Cleaning a small metallic floor is a job of minutes: a sweep and a damp mop, with no grout to darken, no seam to trap grit and no porous joint for a spill to settle into. Salt, mud, red wine and coffee sit on the surface and wipe up. In a hall or a bar, where the floor is the feature, the fact that it looks the same on a Sunday morning as it did when it was poured is the whole point.

It does not date, either. There is no printed pattern, no repeat and no motif tied to a season, so the floor does not need replacing when the room is repainted or refurnished. A bold floor in a small room outlasts several changes of everything around it.

Base, movement and sheen when the walls are close

The base color is the first decision, and in a small room it can be stronger than it could be anywhere else. A deep base with a bright metallic worked through it is a floor you would not pour across a whole lower level, but in an entry hall or a bar it is exactly right, because the room is small enough to carry it and the eye takes the whole floor in at once.

How the movement is worked is the second, and the scale of it matters more when the walls are close. Big, sweeping movement that reads well across a large room can look like a single smear in a small one; tighter, more frequent movement suits a floor you stand over rather than look across. Saying which end suits the room is part of the job.

Sheen is the third. In a small room with a window or a downlight, a high gloss returns the light and deepens the effect, and because the floor is small it is quick to keep footprint-free. A lower sheen keeps the depth while calming the reflections, which suits a study or an office with a screen in it. Which one suits depends on how the room is lit and used, and both are settled in the room rather than from a photograph.

Preparing a small slab that is looked at from close up

Preparation is more visible on this finish than on any other coating we install, because a reflective floor shows what is under it, and in a small room every part of the floor is within a few feet of the eye. The slab is diamond-ground open so the system keys into it mechanically, and tile adhesive, carpet glue, paint, old sealer and any previous coating come off in the same pass, right up to the walls and into the corners.

Every crack, control joint and old fixing hole in a small floor is one you will stand directly over, so each is opened out, cleaned and filled flush before the base coat goes down rather than left to track through the pour. A small slab also tends to be an old one, under a hall or a den that has had tile, carpet or a previous coating on it, and once that is off the grind is used to bring the floor as flat as it can be brought, because gloss shows a dip that a matte finish would hide. If the slab cannot be brought far enough for the finish you want, we say so before we pour.

Edges are most of a small floor. Where the pour meets the front door threshold, the bottom stair, a bar footrail, a built-in cabinet or a different finish in the next room, the termination is cut in cleanly, because in a room this size the edge is never far from where the eye ends up.

Diamond grinding a small slab flat before a metallic pour

Choosing the floor in the room it is poured for

We come out and look at the room with you, under the light it actually has, and talk through the base color, the movement and the sheen against the walls, the stair, the furniture and the door. Metallic is the least suited of anything we install to being chosen from a picture, because how it behaves under your own light is the whole character of it, and in a small room there is nowhere for a wrong choice to hide.

Have the room as it will be when the floor is in, or as close as you can get it: the paint on the walls, the light fitting up, the cabinet or the bar in place. A bold pour is chosen against what surrounds it, and in a room this size the surroundings are only ever a few feet from the floor.

The people who come out to look at the room are the people who pour and work the floor, and the job is quoted from what they see that day.

White and black metallic epoxy flooring worked by hand

Roselle, the town our shop is in

Our shop is on West Lake Street in Roselle, so a metallic floor here is poured a few minutes from where the crew starts the day, by the people who looked at the room with you.

The houses in Roselle are mostly the ranches, split-levels and two-story homes of the village's subdivisions, with a stock of older houses around the center, and the rooms this floor goes into locally are the ones that size: a front hall, a finished den, a bar in the lower level, a study. Add the small commercial rooms along Lake Street and Roselle Road, the single-chair salons and the trade-unit offices, and the demand here is exactly the kind of room a bold pour suits.

Price a metallic floor for one room in Roselle

We work throughout Roselle and the surrounding suburbs from our own shop here, with our own crew rather than subcontracted labor. The visit is free and commits you to nothing. Tell us which room it is, how it is lit and how bold you want the floor to be, and we will talk through the base colors worth considering from experience with rooms like yours, settle the movement and the sheen in the room and quote the job. Call (630) 206-5602 or email info@evolveconcretecoating.com to arrange a visit. We answer Monday to Sunday, 9 AM to 6 PM.

Areas We Serve

Proudly delivering professional concrete coatings across these Illinois suburbs and surrounding communities.

Every Floor Starts With a FREE Estimate

Contact Us

Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.