Metallic poured as one surface across a big room
The larger the room, the more a floor gives itself away. Anything laid in pieces has a module, and across a wide open area that module repeats often enough to be read as a pattern, along with every seam, joint and transition holding it together. A poured floor has none of that. It goes down wet, it is worked while it is wet, and it finishes as a single surface from one wall to the other however far apart those walls are.
The effect itself is formed inside the coat rather than applied on top of it. Pigment separates and travels through the resin as it cures, so the depth sits within the thickness of the floor, shifts as you cross the room and changes as the light moves through the day. A clear topcoat over the whole thing carries the sheen and takes the wear, which means what wears is the clear layer rather than the depth underneath it, and it can be renewed without touching the floor below.
It remains a working floor under all of that: bonded into a ground slab, with cracks and control joints opened out and filled first so nothing tracks through, and cleaned with a mop. It is an indoor finish, which is a product rule rather than a preference. Metallic floors we have installed, including black and white, are on the gallery.






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